
Fonte: Foforks
O "Forks in Brazil" é um blog dedicado à divulgar notícias referentes à Saga Crepúsculo (Twilight) da autora Stephenie Meyer. Formado por quatros livros e por Midnight Sun e The Short Second Life of Bree Tanner. Não temos nenhum vínculo com a autora ou com a Summit. News in English. Noticias en español.



Résumé
Fonte: Onirik


Dakota Fanning aparece provocante em fotos do filme "Runaways", em que interpreta uma jovem homossexual viciada em cocaína. A atriz, atualmente com 16 anos, estreou na carreira ainda criança, quando atuou nos filmes "A Menina e o Porquinho" e "Sonhafora". Mais recentemente, fez sucesso na pele da vampira Jane nos filmes "Lua Nova" e "Eclipse", da saga "Crepúsculo".
Corsets e cinta-liga são peças usuais no figurino de seu novo papel. “Estou ficando mais velha e gostaria de fazer alguma coisa bem diferente do que já tinha feito antes”, afirmou a atriz ao jornal “Daily Mail”.
Dakota interpreta uma personagem real no filme: a cantora Cherie Currie, do grupo The Runaways. Para o longa, ela gravou uma cena de beijo com a atriz Kristen Stewart. “Não é grande coisa. Foi como um beijo com meu melhor amigo, que acontece de ser uma menina. Nós não ficamos agonizando com isso, só fizemos”, contou a atriz. “Sei que alguns dizem que eu sou jovem demais para fazer algo tão íntimo na tela, mas eu cresci muito. O problema é que as pessoas se apegam a mim com a imagem de uma menina, mas tenho que perceber que eu sou quase adulta agora."

Fonte: Quem
Modelo e atriz Riley Keough deve estrelar filme com Charlize Theron.
IS THAT DAKOTA? CORSET IS: Fanning plays lead singer Cherie Currie
TWILIGHT girls Kristen Stewart and Dakota Fanning become creatures of the night in their new film The Runaways.
GUITAR HEROINE: Kristen as Joan
You see, this Sony Pictures Home Entertainment release is not really about The Runaways as a band, and it is even less about Joan, Cherie and Kim as people. What "The Runaways" does more than anything else is show us lots and lots of moments where teenage girls are drinking, using drugs, swearing and exploring each other sexually.
I didn´t live through the 1970s, but history suggests it was a pretty turbulent time. Some found refuge in academia, others protested and many turned to old or new vices to help numb the bumpy road. In "The Runaways," we discover some turned to music, but in doing so also indulged in the so-called "lifestyle" such musicians apparently needed to have in order to be popular, sell records and make money. Make no mistake, I´m not judging, but rather exploring why the music industry seems to bring talent forward and simultaneously create an impending implosion for its gifted artists.
"The Runaways" opens with Cherie prepping a lip-sync to a David Bowie song for her school´s talent show. She appears possessed on stage and draws some unenthusiastic crowd reactions, yet wins first place. Joan, meanwhile, gets herself a new punk outfit and tries to take a guitar lesson from a teacher who tells her that girls don´t play electric guitars. Cherie´s desire is to perform, and Joan´s desire is to be taken seriously. The planets align when Joan spots Kim on his way into a local club. He connects her with drummer Sandy West (Stella Maeve) and tells them to practice.
Time passes, and after Kim hears an update, he decides the group needs an attractive blonde to help it gain traction. He returns to the club, spots Cherie, connects her with Joan and arranges what turns out to be a less than impressive audition. Kim and Joan both seem to have a thing for Cherie, however, and manage to convince Sandy and Lita Ford (Scout Taylor-Compton) to accept her.
Time passes, but The Runaways start to get more and more popular. Eventually, the group signs with Mercury Records and releases an album that soars with popularity. Things unravel when the group finds out Kim is pinching profits and that Cherie did a slutty photo shoot prior to a big trip overseas to Japan. Everyone objects to her over sexualizing the group, and Joan tells her that now their image will always be separate from their music. Cherie overdoses on drugs and returns to the United States, where the group ultimately goes its separate ways.
Rather than put the things this group should be know for (its music) at the forefront for all to soak up, "The Runaways" puts all seven deadly sins (gluttony, greed, sloth, wrath, lust, envy and pride) on a silver platter and allows its characters to indulge. The music has its place, but it is sadly quite minimal if compared to the vices these young women exhibited throughout "The Runaways."
Thankfully, Stewart, Fanning and Shannon are all strong as leads. You could argue that "The Runaways" was a space for Stewart and Fanning to get away from being boxed in for their work on those "Twilight" films, or that thanks to the "Twilight" films they can´t even get away from one another in a rock n´ roll movie. This debate aside, Stewart fits the bill as a talented, cold and committed Joan Jett, while Fanning almost rewrites the dictionary definition on jailbait as she comes of age playing Cherie Currie. Shannon is just plain old bizarre, allowing his ability to make talent make money serve as an excuse for his unconventional behavior and lifestyle.
Fonte: DVD Town



Cof cof. Vejam a segunda foto na primeira imagem. Só deu pra pensar: E aí vem a Renesmee!
Fonte: Abril
por Mary_Halen